People were incredibly kind to our family and went out of their way to help.
KAZUO ISHIGUROWhat I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
More Kazuo Ishiguro Quotes
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I was a little concerned that a lot of people thought I wrote Merchant Ivory movies. I also thought if I was ever going to write something strange and difficult, that was the time.
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Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
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I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
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One is not struck by the truth until prompted quite accidentally by some external event.
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I like novelists who can create other interesting worlds.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
KAZUO ISHIGURO