You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGUROBut then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
More Kazuo Ishiguro Quotes
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An artist’s concern is to capture beauty wherever he finds it.
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I like novelists who can create other interesting worlds.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
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The world is crawling with authors touring now. They’re like performance artists.
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
KAZUO ISHIGURO