And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
KAZUO ISHIGUROWhat is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
More Kazuo Ishiguro Quotes
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
KAZUO ISHIGURO -
As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
KAZUO ISHIGURO -
You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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Don’t you wonder sometimes, what might have happened if you tried?
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Even at the time, I realised this couldn’t be right, that this interpretation didn’t fit with the rest of the lyrics. But that wasn’t an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.
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People aren’t quite sure what it means when a book is a Booker Prize winner. They’re not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.
KAZUO ISHIGURO -
The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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There was another life that I might have had, but I am having this one.
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There comes a point when you can more or less count the number of books you’re going to write before you die.
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I don’t think it’s any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.
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One is not struck by the truth until prompted quite accidentally by some external event.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO