You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGUROMemory is quite central for me. Part of it is that I like the actual texture of writing through memory.
More Kazuo Ishiguro Quotes
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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Don’t you wonder sometimes, what might have happened if you tried?
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
KAZUO ISHIGURO