As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
KAZUO ISHIGUROI have the feeling of this completely alternative person I should have become. There was another life that I might have had, but I’m having this one.
More Kazuo Ishiguro Quotes
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
KAZUO ISHIGURO -
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I discovered that my imagination came alive when I moved away from the immediate world around me.
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I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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To see the best before I have properly begun would be somewhat premature.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGURO