An artist’s concern is to capture beauty wherever he finds it.
KAZUO ISHIGUROThe evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
More Kazuo Ishiguro Quotes
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What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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People aren’t quite sure what it means when a book is a Booker Prize winner. They’re not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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One is not struck by the truth until prompted quite accidentally by some external event.
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She always wanted to believe in things.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
KAZUO ISHIGURO