There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
KAZUO ISHIGUROOne is not struck by the truth until prompted quite accidentally by some external event.
More Kazuo Ishiguro Quotes
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There was another life that I might have had, but I am having this one.
KAZUO ISHIGURO -
Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
KAZUO ISHIGURO -
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
KAZUO ISHIGURO -
Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
KAZUO ISHIGURO -
As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
KAZUO ISHIGURO -
People were incredibly kind to our family and went out of their way to help.
KAZUO ISHIGURO -
As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
KAZUO ISHIGURO -
I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO -
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
KAZUO ISHIGURO -
Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGURO