I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
JULIA STILESI think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
More Julia Stiles Quotes
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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I think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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Theater makes working in movies or TV seem like a cake-walk.
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Sometimes I have these abstract ideas and then lose track of myself.
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
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I worked regularly from very early on, and some of it was probably a bit premature.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I never think of myself as an actor who takes work home with them.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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My regular school didn’t know what to do with me!
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I pretty much grew up in public.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
JULIA STILES