The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
JULIA STILESI worked regularly from very early on, and some of it was probably a bit premature.
More Julia Stiles Quotes
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As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
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Sometimes I have these abstract ideas and then lose track of myself.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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My regular school didn’t know what to do with me!
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I worked regularly from very early on, and some of it was probably a bit premature.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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I pretty much grew up in public.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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I like analyzing human behavior. It’s complex. That’s what keeps me going.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
JULIA STILES