I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
JULIA STILESAs an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
More Julia Stiles Quotes
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I pretty much grew up in public.
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Sometimes I have these abstract ideas and then lose track of myself.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
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I like analyzing human behavior. It’s complex. That’s what keeps me going.
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I worked regularly from very early on, and some of it was probably a bit premature.
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I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
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Theater makes working in movies or TV seem like a cake-walk.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I never think of myself as an actor who takes work home with them.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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I’m going to Columbia University but I’m trying to keep that low-profile because I don’t want weird people following me there. I want the experience of normal college life.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
JULIA STILES