I never think of myself as an actor who takes work home with them.
JULIA STILESI wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
More Julia Stiles Quotes
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I pretty much grew up in public.
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I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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Theater makes working in movies or TV seem like a cake-walk.
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Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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