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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.

Julia Stiles

The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
JULIA STILES

Emotional Pain Type
I like analyzing human behavior. It’s complex. That’s what keeps me going.
JULIA STILES

Analyzing Behavior Human
Make yourself useful, not just on a day to day basis, but as a lifetime thing.
JULIA STILES

Lifetime
We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
JULIA STILES

Art Bird Cutting Funding Times
With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
JULIA STILES

Cutting Editing Hands
I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
JULIA STILES

Guy Kids Thinking
As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
JULIA STILES

Creating Little Vision
In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
JULIA STILES

Hate Moments Thinking Worst
Yoga has stopped me from destroying my joints after running. It slows me down.
JULIA STILES

Joints Running Yoga
I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
JULIA STILES

Directors Giving Scene
I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
JULIA STILES

Easier Home Seriously Term
I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES

Bills Identity Saws
The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
JULIA STILES

Bigs Organization Scope
I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
JULIA STILES

Innocent Ophelia Roles
It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
JULIA STILES

Figure Jobs Way Writing
I pretty much grew up in public.
JULIA STILES

Grew Much Public

I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.

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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.

Related Topics

Popular Authors

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