It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
JULIA STILESMy regular school didn’t know what to do with me!
More Julia Stiles Quotes
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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Sometimes I have these abstract ideas and then lose track of myself.
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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I’m going to Columbia University but I’m trying to keep that low-profile because I don’t want weird people following me there. I want the experience of normal college life.
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I worked regularly from very early on, and some of it was probably a bit premature.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
JULIA STILES