I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
JULIA STILESI’m going to Columbia University but I’m trying to keep that low-profile because I don’t want weird people following me there. I want the experience of normal college life.
More Julia Stiles Quotes
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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My regular school didn’t know what to do with me!
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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I never think of myself as an actor who takes work home with them.
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I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I worked regularly from very early on, and some of it was probably a bit premature.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
JULIA STILES