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Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.

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Audience Cinema Deep Individually Nature Ritual Theatre Transport Unknown

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGER

Naked Oneness Oneself Order Other Recognize Sight
Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER

Act Around Evil Human Inhuman Nature Need Nothing Repeated Talking Way
Compassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGER

Basic Best Compassion Necessity Oppose Order Therefore World
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER

Dwelling Home Hostile Language Men Place Potentially
It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.
JOHN BERGER

Allow Artist Certain Colour Comparitively Dominate Easy Mute Together Unity
The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.
JOHN BERGER

All Content Impersonal Maternity Operate Outside Placenta Remain Song Surface
Never again shall a single story be told as though it were the only one.
JOHN BERGER

Again never One Shall Single Stories Story Told
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER

Forget Opposite Other Pain Painting Photography Remind Way
A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Everything Meamimgless Object Particular Photograph Recording Result
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER

Addresses Adorable Contradiction God Image Perspective Reality Really Single Spectator Structure Unlike
Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
JOHN BERGER

Blindness Chosen Come Dogma Fantacism Form Pursuit
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER

Artist Country Event Influence might Outgoing Political Themselves Time Tragedies
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
The heart of Paris is like nothing so much as the unending interior of a house.
JOHN BERGER

Country Doors Heart House Interior Two Unending
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
JOHN BERGER

Boycott Celebrity Circumstance Country Depend Government People Person Pont Principle Tactic Upon Way

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