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Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.

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Audience Cinema Deep Individually Nature Ritual Theatre Transport Unknown

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

We follow songs in order to be enclosed. We find ourselves inside a message.
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To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
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The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
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All creation is in the art of seeing.
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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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Artist Country Event Influence might Outgoing Political Themselves Time Tragedies
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
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Art Common Differentiate More People Power Rare Sometimes Strange Theatre Urgent
The camera relieves us of the burden of memory.
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Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
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[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
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