Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGERThe strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
More John Berger Quotes
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Those who first invented and then named the constellations were storytellers.
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The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
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Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
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A peasant becomes fond of his pig and is glad to salt away its pork.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
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Photographs bear witness to a human choice being exercised in a given situation.
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The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
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If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
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Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
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Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
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Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
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Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
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We only see what we look at. To look is an act of choice.
JOHN BERGER