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The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.

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Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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Average Country Men never Painting Presume Principal Protagonist Rude Spectator
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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Authority Bureaucrat Glamorous Happiness Power Reside Suppose
I wanted to write about looking at the world, so it’s more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
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Around Help Look Marvelous People See Terrible Want World Writing
Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
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Experience Give Giving Moment Narrative Normal Offer Planet Public Sense Space
A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
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Allow Boycott Consider Craven Distinct Elected Government People Pressure Tactic
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
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Actor Art Before Both Bring Cinema Compare Drama Dramatix Nature Public Right Season
But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
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Nothing fortuitous happens in a child’s world. There are no accidents. Everything is connected with everything else and everything can be explained by everything else. . . . For a young child everything that happens is a necessity.
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The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
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Tracing an imaginary line between a cluster of stars gave them an image and an identity.
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Between Cluster Gave Identity Image Imaginary Star Trace
The camera relieves us of the burden of memory.
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Burden Camera Memories Photography Recieve
Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
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Continual Define Poetry Reassembking Repair Scattered Separate Space
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
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Back Herself Love Offer Price Product Publicity Stealing
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
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The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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Photographs bear witness to a human choice being exercised in a given situation.
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Choice Decision Given Photography Situation

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