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The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.

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Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
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The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
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A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
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The essence of songs is neither vocal nor cerebral but organic.
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Celebrate Essence Order Organic Song Vocal
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
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Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
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It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
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Between Explicit Fully Make Relationship Stories Trying Universal Usually Writing
The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
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This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
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Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
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Continual Define Poetry Reassembking Repair Scattered Separate Space
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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Appearance Capital Equality Everything Object Oil Painting Reduce Relation Social

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