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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

John Berger

The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER

Feel May Minimize Monopoly Need Passion Sexual Spectator Such Women
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER

Behind Biographical Curtain Geographical Landmark Longer Personal
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER

Behind Bourgeois Building Conservatories Door Furniture Galleries Go House Shutting Street Way
You cant draw it for others. You can try, of course, but it doesn’t work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
JOHN BERGER

Course Else Life Line Obey Other People Respect Somebody
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER

Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
JOHN BERGER

Everything Four Happen Make Place Possible Story Take Wall
Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
JOHN BERGER

Constitute Country Existence Labour Look People Recognised Saw Sky Vicent
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
JOHN BERGER

Burden Camera Forget God Like Memories Photography Relieve Survey Us Yet
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Future Innocent Judge never Often Past Revenge Shown Suffer
The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
JOHN BERGER

Address Animal Cave Man Men Mountain Sea Secret Specifically Unlike
The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Envied Envy Greater Illusion Power Themselves
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
JOHN BERGER

Art Common Differentiate More People Power Rare Sometimes Strange Theatre Urgent
A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGER

Artist Communication Drawing Finished Need Only Private Public Relate Statue Work
Today the discredit of words is very great.
JOHN BERGER

Discredit Great Hijacking Today Word
Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER

Audience Cinema Deep Individually Nature Ritual Theatre Transport Unknown
The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
JOHN BERGER

Both Case Common Hate Love Opposite Separate Something

Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.

Related Topics

Popular Authors

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