Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGERPoetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
More John Berger Quotes
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As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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Photography, because it stops the flow of life, is always flirting with death.
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Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
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Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
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For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
JOHN BERGER -
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
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This determines not only most relations between men and women but also the relation of women to themselves.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
JOHN BERGER -
Hope is a contraband passed from hand to hand and story to story.
JOHN BERGER -
The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
JOHN BERGER -
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER -
Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
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The camera relieves us of the burden of memory.
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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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(The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
JOHN BERGER