To live and die amongst foreigners may seem less absurd than to live persecuted or tortured by one’s fellow countrymen….
JOHN BERGERI use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
More John Berger Quotes
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Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER -
For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
JOHN BERGER -
Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER -
This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
JOHN BERGER -
Photographs bear witness to a human choice being exercised in a given situation.
JOHN BERGER -
Hair is associated with sexual power. With passion.
JOHN BERGER -
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER -
We only see what we look at. To look is an act of choice.
JOHN BERGER -
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER -
Compassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGER -
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
JOHN BERGER -
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER -
There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER






