We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
JOHN BERGERI use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
More John Berger Quotes
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Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGER -
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER -
All creation is in the art of seeing.
JOHN BERGER -
By contrast, a woman’s presence… defines what can and cannot be done to her.
JOHN BERGER -
The contradiction in perspective was that it structured all images of reality to address a single spectator who, unlike God, could only be in one place at a time.
JOHN BERGER -
This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
JOHN BERGER -
The camera relieves us of the burden of memory.
JOHN BERGER -
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER -
Writers who have neither product utopian trash.
JOHN BERGER -
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
JOHN BERGER -
What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
JOHN BERGER -
The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
JOHN BERGER -
For me, drawing is a lot to do with taking out, with returning to the white of the paper.
JOHN BERGER -
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER -
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER