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To be desired is perhaps the closest anybody in this life can reach to feeling immortal.

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Anybody Closest Desire Feeling Immortal Life

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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Achieve Country Deprivation Desirable Develop False Impose Intensive Standard Today
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
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A cigarette is a breathing space. It makes a parenthesis.
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For me, drawing is a lot to do with taking out, with returning to the white of the paper.
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Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
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More Mystery Pain Philosophical Presecute Space Speculation
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
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Absence Loss might Paint Painting Touch True Unaware
Men look at women. Women watch themselves being looked at.
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Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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The heart of Paris is like nothing so much as the unending interior of a house.
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Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
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