What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGERPleasure and pain need to be considered together; they are inseparable. Yet the space filled by each is perhaps different. Pleasure, defined as a sense of gratification, is essential for nature
More John Berger Quotes
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(The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
JOHN BERGER -
For me, drawing is a lot to do with taking out, with returning to the white of the paper.
JOHN BERGER -
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER -
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
JOHN BERGER -
Never chain your dogs together with sausages. One must accustom one’s self to be bored.
JOHN BERGER -
Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER -
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER -
To be desired is perhaps the closest anybody in this life can reach to feeling immortal.
JOHN BERGER -
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER -
You can plan events, but if they go according to your plan they are not events.
JOHN BERGER -
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER -
It dreams, like a dog in its basket, of hares in the open.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGER






