If you’re working at the factory and you’re cursing every day that you get up, at all costs get out of it. You’ll just make yourself ill.
JIMMY PAGEI can tell how far I ought to be going, I know how to get there, all I’ve got to do is keep playing.
More Jimmy Page Quotes
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I really wasn’t needed. Just straightening up riffs, that’s all. Just two guitarists doing it instead of one.
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But to put out a greatest hits on one CD was totally impossible, I just couldn’t do it. The best compromise was to put out two CDs – Early Days – which is what it is – and Latter Days.
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There’s too many good musicians around for the music around for the business to be sagging.
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Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
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Every record is a portrait of the band at that time.
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Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’
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This week, I’m a gypsy. Maybe next week it’ll be glitter rock.
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If you are on to something creative, school can also inhibit you. The wrong teacher, man, can really mess you up.
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My vocation is more in composition really than anything else – building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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I will still carry on changing all the time.
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I really don’t like showing people how I play things; it’s a little embarrassing because it always looks so simple to me.
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Once I get onstage the tension explodes and I’m fine. I’m in another world – in a trance almost, doing what I love best, expressing myself through guitar.
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The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you’re talking about the Delta blues or music from Middle Eastern and African cultures.
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Every musician wants to do something which will hold up for a long time, and I guess we did it with ‘Stairway to Heaven.’
JIMMY PAGE