Providing – that’s not love. Being there – that’s more important. I mean, we see that. We see that with all these rich socialites. They’re crying out for attention; they’re hurting for love. I’m not being judgmental.
JAY-ZI treat people based on who they really are, not the name. Everyone has to be respectful and be a human being. No one’s above… That’s how I carry it with anybody.
More Jay-Z Quotes
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If your dad died before you were born, yeah, it hurts – but it’s not like you had a connection with something that was real. Not to say it’s any better – but to have that connection and then have it ripped away was, like, the worst.
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Everyone who makes music is a good collaborator at their foundation because in order to make music, you have to connect to it in a way that other people can’t.
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I’m hungry for knowledge. The whole thing is to learn every day, to get brighter and brighter. That’s what this world is about.
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I’ll make a song with Rick Rubin, a song with Beyonce, a song with Lenny Kravitz. I just believe in making good music. I’m not trying to section myself off into just making hard-core rap music.
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Racism is taught in the home. We agree on that? Well, it’s very hard to teach racism to a teenager who’s listening to rap music and who idolizes, say, Snoop Dogg. It’s hard to say, ‘That guy is less than you.’ The kid is like, ‘I like that guy, he’s cool. How is he less than me?
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Some people are attracted to vulnerability. From my very first album, I’ve been vulnerable. I’ve always given parts of me, parts of my life – good, bad, ugly. I’ve never put up this image as a super-thug. Also, some people just like the music.
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Rosa Parks sat so Martin Luther King could walk. Martin Luther King walked so Obama could run. Obama’s running so we all can fly.
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People are intermingling, hanging out, having fun, enjoying the same music. Hip-hop is not just in the Bronx anymore. It’s worldwide. Everywhere you go, people are listening to hip-hop and partying together. Hip-hop has done that.
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Wherever I go, I bring the culture with me, so that they can understand that it’s attainable. I didn’t do it any other way than through hip-hop.
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We have to stretch out the audience. It can’t be this narrow – we have to stretch out the point of view.
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I remember the first time I saw the ‘Sugarhill Gang’ on Soul Train. I was 11 or 12. I was like, ‘What’s going on? How did those guys get on national TV?’ And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.
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I grew up in Marcy Projects in Brooklyn, and my mom and pop had an extensive record collection, so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.
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Nothing me and Kanye can do musically was gonna match the event of what we were trying to do. So we were trying to deliver an album and experience at one time; that was the idea for ‘Watch The Throne’.
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I think the problem with people, as they start to mature, they say, ‘Rap is a young man’s game,’ and they keep trying to make young songs. But you don’t know the slang – it changes every day, and you’re just visiting. So you’re trying to be something you’re not, and the audience doesn’t buy into that.
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I don’t know where streaming will go in the future. The analytics that we’re seeing tell us that streaming is the next thing, and downloads are going down.
JAY-Z