But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won’t show something that’s embarrassing.
JAY ROACHFor Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
More Jay Roach Quotes
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
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Hedda’s Hopper attitude was ‘once a Commie, always a Commie.’
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[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.
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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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I’m pretty opinionated sometimes although my political views change all the time, too. So I’m not very zealous.
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People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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Sometimes you fall in love with some things and then you fall out of love with it.
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To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
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Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
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That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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I really enjoy the consolation when I’m having to cut loose stuff I love, of saying ‘Well, at least it will make it onto DVD.’ There’s a couple of scenes which I liked very much, but couldn’t fit them into the film that are on there.
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I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
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Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.
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I’ve recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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I hope we’re all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there’s not only sort of a film geek audience, there’s also a general interest in the overall film consuming population.
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This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
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The success of the second ‘Austin Powers’ caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
JAY ROACH