I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
JAY ROACHThat’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
More Jay Roach Quotes
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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I hope we’re all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there’s not only sort of a film geek audience, there’s also a general interest in the overall film consuming population.
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The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we’re just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A.
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That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
JAY ROACH -
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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I’m pretty opinionated sometimes although my political views change all the time, too. So I’m not very zealous.
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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
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I think sequels should be earned and we won’t do it unless the script is better than the first one.
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
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To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
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Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.
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I’ve recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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Sometimes I would like the opportunity to do character-driven comedy and that’s really what I was trying to do in Meet The Parents. I think in a way this is a more old fashioned type of comedy.
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In his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
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People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
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When something so unjust as the black list happened, [Dalton Trumbo] would come to life in a certain way.
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I don’t stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it’s a comedy or a suspenseful way through it if it’s a drama.
JAY ROACH -
Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
JAY ROACH