Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
H. P. LOVECRAFTThere are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.
More H. P. Lovecraft Quotes
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We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
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All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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Adulthood is hell.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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I am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
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If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood.
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Unhappy is he to whom the memories of childhood bring only fear and sadness.
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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.
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Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.
H. P. LOVECRAFT