Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFTHorror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
More H. P. Lovecraft Quotes
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The cat is classic whilst the dog is Gothic – nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
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Very few minds are strictly normal, and all religious fanatics are marked with abnormalities of various sorts.
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We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
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I could not write about ‘ordinary people’ because I am not in the least interested in them.
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Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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My nervous system is a shattered wreck, and I am absolutely bored and listless save when I come upon something which peculiarly interests me.
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It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
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The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
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One cannot be too careful in the selection of adjectives for descriptions. Words or compounds which describe precisely, and which convey exactly the right suggestions to the mind of the reader, are essential.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
H. P. LOVECRAFT