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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

H. P. Lovecraft

The earliest English attempts at rhyming probably included words whose agreement is so slight that it deserves the name of mere ‘assonance’ rather than that of actual rhyme.
H. P. LOVECRAFT

Agreement Deserve Early Name
My nervous system is a shattered wreck, and I am absolutely bored and listless save when I come upon something which peculiarly interests me.
H. P. LOVECRAFT

Boredom Interest List Nervous Save System
The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
H. P. LOVECRAFT

Hero Poem Rhyme Success
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
H. P. LOVECRAFT

Appearance Capacity Degree Demand Imagination Life Reading
Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
H. P. LOVECRAFT

Connection Emotion Fear Horror Lay Natural Unknown
There be those who say that things and places have souls, and there be those who say they have not; I dare not say, myself, but I will tell of The Street.
H. P. LOVECRAFT

Dare Myself Place Soul
Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
H. P. LOVECRAFT

Care Heaven Known Myself Safety Top
We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
H. P. LOVECRAFT

Change Condition History Man Mental Physical
I fear my enthusiasm flags when real work is demanded of me.
H. P. LOVECRAFT

Demand Enthusiasm Fear Myself Work
Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFT

Change Design Development Follow Story Writing
Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
H. P. LOVECRAFT

Better Chaos Creation Immense Life Relation Value
The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.
H. P. LOVECRAFT

Emotion Fear Feeling Kind Man Old Strong Unknown
I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
H. P. LOVECRAFT

Furniture Library Live Possession Sleep
The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
H. P. LOVECRAFT

Escape Phenomena Reality Story Tale Transcendence Weird
What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
H. P. LOVECRAFT

Beautiful Instrument Man Pay Responsive World
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFT

Beginning End Leaving Reading Story Strong

That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

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That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.

Related Topics

Popular Authors

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