Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.
H. P. LOVECRAFTWhat a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
More H. P. Lovecraft Quotes
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
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All rationalism tends to minimalise the value and the importance of life and to decrease the sum total of human happiness.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day’s end, but is content to accept life and serve society as best it may.
H. P. LOVECRAFT -
Imagination is a very potent thing, and in the uneducated often usurps the place of genuine experience.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
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Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
H. P. LOVECRAFT -
One superlatively important effect of wide reading is the enlargement of vocabulary which always accompanies it.
H. P. LOVECRAFT -
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean.
H. P. LOVECRAFT -
Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or ‘outsideness’ without laying stress on the emotion of fear.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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The process of delving into the black abyss is to me the keenest form of fascination.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
H. P. LOVECRAFT