Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
H. P. LOVECRAFTTruth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
More H. P. Lovecraft Quotes
-
-
I have no illusions concerning the precarious status of my tales and do not expect to become a serious competitor of my favorite weird authors.
H. P. LOVECRAFT -
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFT -
Toil without song is like a weary journey without an end.
H. P. LOVECRAFT -
That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
H. P. LOVECRAFT -
The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
H. P. LOVECRAFT -
I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
H. P. LOVECRAFT -
From even the greatest of horrors, irony is seldom absent.
H. P. LOVECRAFT -
The sole ultimate factor in human decisions is physical force. This we must learn, however repugnant the idea may seem, if we are to protect ourselves and our institutions. Reliance on anything else is fallacious and ruinous.
H. P. LOVECRAFT -
All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
H. P. LOVECRAFT -
Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFT -
Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
H. P. LOVECRAFT -
I am essentially a recluse who will have very little to do with people wherever he may be. I think that most people only make me nervous – that only by accident, and in extremely small quantities, would I ever be likely to come across people who wouldn’t.
H. P. LOVECRAFT -
The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
H. P. LOVECRAFT -
What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
H. P. LOVECRAFT -
But are not the dreams of poets and the tales of travellers notoriously false?
H. P. LOVECRAFT