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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.

H. P. Lovecraft

Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
H. P. LOVECRAFT

Better Chaos Creation Immense Life Relation Value
Ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
H. P. LOVECRAFT

Ancient Dreams Memories Mountain Ocean Ourselves Time
Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFT

Change Design Development Follow Story Writing
But are not the dreams of poets and the tales of travellers notoriously false?
H. P. LOVECRAFT

Dreams Fake Poet Travel
Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
H. P. LOVECRAFT

Care Heaven Known Myself Safety Top
That metre itself forms an essential part of all true poetry is a principle which not even the assertions of an Aristotle or the pronouncements of a Plato can disestablish.
H. P. LOVECRAFT

Aristotle Establishment Poetry Principle Pronounce
The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFT

Beginning End Leaving Reading Story Strong
All rationalism tends to minimalise the value and the importance of life and to decrease the sum total of human happiness.
H. P. LOVECRAFT

Decrease Happiness Human Important Minimal Value
If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.
H. P. LOVECRAFT

Artificial Follow Practical Religion True
Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
H. P. LOVECRAFT

Demon Hide Known Life Ourselves Secret Truth
In theory I am an agnostic, but pending the appearance of rational evidence, I must be classed, practically and provisionally, as an atheist.
H. P. LOVECRAFT

Appearance Atheist Rational Theory
Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
H. P. LOVECRAFT

Character Fantasy Feeling Reading Ruin Serious Style Wonder
Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
H. P. LOVECRAFT

Choice Expression Feeling Group People Religious Sanity Strong Togetherness
It is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
H. P. LOVECRAFT

Horror Mistake Silence Solitude
To the scientist there is the joy in pursuing truth which nearly counteracts the depressing revelations of truth.
H. P. LOVECRAFT

Pursue Revelation Science Truth
I couldn’t live a week without a private library – indeed, I’d part with all my furniture and squat and sleep on the floor before I’d let go of the 1500 or so books I possess.
H. P. LOVECRAFT

Furniture Library Live Possession Sleep

In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.

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In writing a weird story, I always try very carefully to achieve the right mood and atmosphere and place the emphasis where it belongs.

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