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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

Guillermo del Toro

Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
GUILLERMO DEL TORO

Powerful Unseen Way
You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
GUILLERMO DEL TORO

Broken Hard Thinking Work
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TORO

Guy Makeup Trying
I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
GUILLERMO DEL TORO

Country Different People Produce
You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO

Continue Fantastic Liberation Money
I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
GUILLERMO DEL TORO

Injustice Projects Superhero
People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
GUILLERMO DEL TORO

People Thinking Waiting
I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
GUILLERMO DEL TORO

Book Character Kids
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
GUILLERMO DEL TORO

Devil Ghost Stories Thinking
There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO

Done Portraits Style
You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
GUILLERMO DEL TORO

Impossible Retrospect Void
…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
GUILLERMO DEL TORO

Love Maternal might Spiritual
I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
GUILLERMO DEL TORO

Deals Restriction Thinking
I only produce directors and movies that I have a lot in common with.
GUILLERMO DEL TORO

Common Directors Produce
When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
GUILLERMO DEL TORO

Country People Vivid Way

I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

Related Topics

Popular Authors

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