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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

Guillermo del Toro

You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
GUILLERMO DEL TORO

Impossible Retrospect Void
Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
GUILLERMO DEL TORO

Fun Ghost Stories Way
I only produce directors and movies that I have a lot in common with.
GUILLERMO DEL TORO

Common Directors Produce
What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
GUILLERMO DEL TORO

DNA Library Profound
In real life, what scares me is politicians, corporations and people that think they know what the world should be.
GUILLERMO DEL TORO

People Real Thinking
I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
GUILLERMO DEL TORO

Deals Restriction Thinking
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO

Continue Fantastic Liberation Money
Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
GUILLERMO DEL TORO

Kids Violence Violent
When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
GUILLERMO DEL TORO

Country People Vivid Way
The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
GUILLERMO DEL TORO

Desire Harboring Since Being
I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
GUILLERMO DEL TORO

Block Retreat Want
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
GUILLERMO DEL TORO

Character House Needs
As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
GUILLERMO DEL TORO

Cutting Directors Finals
Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
GUILLERMO DEL TORO

Drinking London People
I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
GUILLERMO DEL TORO

Creepy Kids Teeth

I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.

Related Topics

Popular Authors

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