…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
GUILLERMO DEL TOROI am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
More Guillermo del Toro Quotes
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
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What happens to me is that I am first and foremost a film geek.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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I think there is a very quiet power in things that are not on screen
GUILLERMO DEL TORO