I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TOROI think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
More Guillermo del Toro Quotes
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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I only produce directors and movies that I have a lot in common with.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
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Movies that look safe are less interesting.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO -
I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
GUILLERMO DEL TORO -
Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
GUILLERMO DEL TORO -
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
GUILLERMO DEL TORO







