I can’t name three first-rate literary critics in the United States. I’m told there are a few hidden away at universities, but they don’t print them in ‘The New York Times.’
I am a novelist turned temporary adventurer, and I chose to write television, movies and plays for much the same reason that Henry Morgan selected the Spanish Main for his peculiar – and not dissimilar – sphere of operations.
Temperamentally, I am suspicious of belonging to anything. When I ran for office, I debated seriously whether or not to run as an independent because I was not eager to be saddled with the Democratic Party, because any party label is committing.
Now you have people in Washington who have no interest in the country at all. They’re interested in their companies, their corporations grabbing Caspian oil.
The greatest pleasure when I started making money was not buying cars or yachts but finding myself able to have as many freshly typed drafts as possible.
Primarily, I am a prose writer with axes to grind, and the theatre is a good place to do the grinding in. I prefer comedy to ‘serious’ drama because I believe one can get the ax sharper on the comedic stone.
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