In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
GILLES DELEUZEYou never walk alone. Even the devil is the lord of flies.
More Gilles Deleuze Quotes
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A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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What is important is no longer either a signature or a number, but a code: the code is a password.
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Things never pass where you think, nor along the paths you think.
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There’s no need to fear or hope, but only to look for new weapons.
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Evaluations, in essence, are ways of being, modes of existence of those who judge and evaluate.
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Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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The plane of consistency is the abolition of all metaphor; all that consists is Real.
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Reading something from beginning to end. That is reading with love.
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Either it is the fold of the infinite, or the constant folds [replis] of finitude which curve the outside and constitute the inside.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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Nietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Art is not communicative, art is not reflexive. Art, science, philosophy are neither contemplative, neither reflexive, nor communicative. They are creative, that’s all.
GILLES DELEUZE