The percept is the landscape before man, in the absence of man.
GILLES DELEUZEWhat interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
More Gilles Deleuze Quotes
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Psychoanalysts are bent on producing man abstractly, that is to say ideologically, for culture. It is Oedipus who produces man in this fashion and who gives a structure to the false movement of infinite progression and regression.
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External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?
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I believe strongly that philosophy has nothing to do with specialists.
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belief is necessarily something false that diverts and suffocates effective production.
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It’s not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you’ll see that everything changes.
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It is not the slumber of reason that engenders monsters, but vigilant and insomniac rationality
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The instinct of revenge is the force which constitutes the essence of what we call psychology, history, metaphysics and morality. The spirit of revenge is the genealogical element of our thought, the transcendental principle of our way of thinking.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Philosophy, art, and science are not the mental objects of an objectified brain but the three aspects under which the brain becomes subject.
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Far from being a psychological trait, the spirit of revenge is the principle on which our whole psychology depends.
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Intuition is neither a feeling, an inspiration nor a disorderly sympathy but a fully developed method.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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The morality of customs,the spirit of the laws, produces the man emancipated from the law.
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Photography, if there is photography, is already snapped, already shot, in the very interior of things and for all points of space.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
GILLES DELEUZE