In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
GILLES DELEUZEbelief is necessarily something false that diverts and suffocates effective production.
More Gilles Deleuze Quotes
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The percept is the landscape before man, in the absence of man.
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It’s not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you’ll see that everything changes.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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The morality of customs,the spirit of the laws, produces the man emancipated from the law.
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A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.
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In truth, Freud sees nothing and understands nothing.
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The shadow escapes from the body like an animal we had been sheltering.
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Evaluations, in essence, are ways of being, modes of existence of those who judge and evaluate.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
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There’s no need to fear or hope, but only to look for new weapons.
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As for being responsible or irresponsible, we don’t recognize those notions, they’re for policemen and courtroom psychiatrists.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Why do men fight for their servitude as stubbornly as though it were their salvation?
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The philosopher creates, he doesn’t reflect.
GILLES DELEUZE