Everybody’s story of getting into the industry is just as difficult as the next person. Whether you come from money or no money, it’s not easy… you have to offer yourself; you can’t expect someone to get you.
FLORENCE PUGHI think you’re always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, ‘All right, at least I know that now!’
More Florence Pugh Quotes
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I love all of Kate Winslet’s characters. And Natalie Portman. If I can have a smidgen of what they’ve done, that would be awesome.
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I found out I got ‘The Little Drummer Girl’ and my BAFTA nomination in quick succession, and I just didn’t expect it to be like that. I thought there would be a lot more time in between. It’s been an overwhelming experience.
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I really take my hat off to anybody that steps in the ring because it’s so hard – you’re competing against your friends, and you’re working in front of an audience who tells you exactly what they’re thinking.
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I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.
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I always did a lot of singing and dancing, so I am glad it worked out that way. I would like to study stage acting at some point, though.
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During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.
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Sometimes in the real world, there is fire between people.
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I grew up in a very loud and dramatic household, and we loved being in the spotlight.
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The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.
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The whole wrestling art, it’s a whole form, is performance, and that’s what makes it so exciting to do.
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Playing Paige, I felt I had to train to wrestle.
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What audiences love with series is that they can invest in characters for such a long period of time, and it’s the same for actors. You can truly tell your story; then it’s done.
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I want women on-screen that we all either want to be, or we know, or we recognize.
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I wanted to go to drama school, but when I got the part in ‘Falling,’ I got an agent, so it seemed a good idea to work.
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That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.
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And I’m a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
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I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.
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I don’t think I’m going to be an international sex symbol. I mean, I know I’m not going to be an international sex symbol.
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The biggest thing about ‘Lady Macbeth’ is the fact that people are so surprised that this woman is so amazing, and really, it shouldn’t be so amazing that this incredible character is on our screens.
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For me, it’s always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.
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What’s important is to listen before you react.
FLORENCE PUGH