“I was acting with all my childhood heroes: Meryl Streep, Saoirse Ronan, all of those amazing women.”

I think everyone’s always interested in playing a spy, right? That’s something we grow up admiring, which is so strange, but it’s just a very clever and quick world that we all want to be a part of.

You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.

I grew up in a very loud and dramatic household, and we loved being in the spotlight.

I got a really good insight into the world of wrestling.

There’s always going to be pressure, and there’s always going to be an area where you disappoint. As a storyteller, you have to understand that.

I can’t remember a Friday when I was younger when I wasn’t eating a pizza, flirting with the barman.

Why shouldn’t there be more epic, brilliant female characters onscreen?

The biggest thing about ‘Lady Macbeth’ is the fact that people are so surprised that this woman is so amazing, and really, it shouldn’t be so amazing that this incredible character is on our screens.

I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.

If I can make my mark just a little bit, then great.

Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.

I know that my way of tackling a character is very different.

I don’t think I’m going to be an international sex symbol. I mean, I know I’m not going to be an international sex symbol.

I am learning on every job I do. There is something new every time.

It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.

For me, I really appreciate seeing real bodies on screen, that variation, not the same frames we saw for the majority of our upbringing, making us feel like we have to look that way.

Earlier, I used to charge territories instead of my fees as an actor, but I realised it was better to keep the two apart.

I wanted to be more hands on. Otherwise, every time you finish acting in a movie you have to almost go and beg people for the next job.

Modelling is only about the look. In acting, it’s the feel that matters.

Everything about acting drives me and gives me the need to really try it. It’s an evolution – doing the same thing for 12 years is kind of a chunk.

For modelling, you have to be such a strong person in a way – or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.

And what I love is that it’s such a creative process, with a bunch of people, and I wanted that more, which is how the acting thing came about.

For modeling, I was always creating characters. I dress like a tomboy. So, when I’d go into a shoot, there’d be all these dresses, and I’d say to myself, ‘Okay, this isn’t me. It’s somebody else. So, who is this person?’ Acting is the next level of that.

To be supportive of myself, I have to go with what I want to do. I started acting and I was so mesmerized.