“With ‘Lady Macbeth,’ I had two other things offered to me, and they would have also been very fun, but you just have to figure that out. And then you do it.”

I have been enormously lucky. My first role was in a great film by a woman director.

Everybody’s story of getting into the industry is just as difficult as the next person. Whether you come from money or no money, it’s not easy… you have to offer yourself; you can’t expect someone to get you.

I’ve tried not to get too bogged down by what people want you to be.

Lady Macbeth’ is a great opportunity for me to prove that maybe the outcome of ‘The Falling’ was not necessarily a fluke.

I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.

Do we need to have a female Bond? Couldn’t we just make something new?

When I look for roles, I am looking for incredibly powerful women.

We tend to kind of write women out of history.

Girls have that wonderful thing where they try to throw each other off, not wanting to appear too eager.

I think everyone’s always interested in playing a spy, right? That’s something we grow up admiring, which is so strange, but it’s just a very clever and quick world that we all want to be a part of.

You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.

I grew up in a very loud and dramatic household, and we loved being in the spotlight.

I was acting with all my childhood heroes: Meryl Streep, Saoirse Ronan, all of those amazing women.

I got a really good insight into the world of wrestling.

There’s always going to be pressure, and there’s always going to be an area where you disappoint. As a storyteller, you have to understand that.

I can’t remember a Friday when I was younger when I wasn’t eating a pizza, flirting with the barman.