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You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
FLORENCE PUGH

Actual Bodies never Normal Problem Reason See Them Version
That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.
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I grew up in a very loud and dramatic household, and we loved being in the spotlight.
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Being Dramatic Grew Household Loud Love Spotlight Very
We actually did perform it in front of all those thousands of people. And just beforehand, we had a little dress rehearsal, and there were all these famous wrestlers going around and watching as well. Terrifying.
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Someone asked if I wanted to be the first female Bond, and I was saying that I don’t think we necessarily need that whole conversation.
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Ask Bond Conversation Female First Necessarily Someone Want Whole
I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.
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For me, it’s always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
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I suppose, used a different language or a different etiquette, but ultimately, these are still people that loved and breathed and lived and ate and weed and pooed just like we do now.
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It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.
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Playing Paige, I felt I had to train to wrestle.
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Girls have that wonderful thing where they try to throw each other off, not wanting to appear too eager.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.
FLORENCE PUGH

Bag Eye Holywood Normal See Spot Under Work
I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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The whole wrestling art, it’s a whole form, is performance, and that’s what makes it so exciting to do.
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Why aren’t there these epic roles for women, for whatever age you are?
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