Who’s afraid of Virginia Woolf means who’s afraid of the big bad wolf, who’s afraid of living life without false illusions.
EDWARD ALBEEThe function of art is to bring people into greater touch with reality, and yet our movie houses and family rooms are jammed with people after as much reality-removal as they can get.
More Edward Albee Quotes
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I have been both overpraised and under praised. I assume by the time I finish writing — and I plan to go on writing until I’m 90 or gaga it will all equal itself out.
EDWARD ALBEE -
I am sick of the disparity between things as they are and as they should be. I’m tired.I’m tired of the truth and I’m tired of lying about the truth.
EDWARD ALBEE -
Anything you put in a play – any speech – has got to do one of two things: either define character or push the action of the play along.
EDWARD ALBEE -
Being different is interesting; there’s nothing implicitly inferior or superior about it. Great difference, of course, produces natural caution; and if the differences are too extreme well, then, reality tends to fade away.
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A lot interests me – but nothing surprises me particularly.
EDWARD ALBEE -
Remember one thing about democracy. We can have anything we want and at the same time, we always end up with exactly what we deserve.
EDWARD ALBEE -
Martha: Oh, I like your anger. I think that’s what I like about you most. Your anger.
EDWARD ALBEE -
Writing has got to be an act of discovery. Finding out things about what one is writing about.
EDWARD ALBEE -
There are only two things to write about: life and death.
EDWARD ALBEE -
The most profound indication of social malignancy no sense of humor. None of the monoliths could take a joke.
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There is chaos behind the civility, of course.
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I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.
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The characters’ lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you’ve killed them off.
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When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
EDWARD ALBEE -
Progress is a set of assumptions.
EDWARD ALBEE