Martha: Truth or illusion, George; you don’t know the difference. George: No, but we must carry on as though we did. Martha: Amen.
EDWARD ALBEEOne has always got to be terribly careful, since the theater is made up of a whole bunch of prima donnas, not to let the distortions occur.
More Edward Albee Quotes
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I am not interested in living in a city where there isn’t a production by Samuel Beckett running.
EDWARD ALBEE -
Your source material is the people you know, not those you don’t know, but every character is an extension of the author’s own personality.
EDWARD ALBEE -
I think I was probably wondering, having looked at human beings for a long time, wondering if evolution ever took place. And I still have my doubts.
EDWARD ALBEE -
I don’t like symbolism that hits you over the head. A symbol should not be a cymbal.
EDWARD ALBEE -
Progress is a set of assumptions.
EDWARD ALBEE -
Good writers define reality; bad ones merely restate it.
EDWARD ALBEE -
Every monster was a man first.
EDWARD ALBEE -
All serious art is being destroyed by commerce. Most people don’t want art to be disturbing. They want it to be escapist. I don’t think art should be escapist. That’s a waste of time.
EDWARD ALBEE -
Audiences and, to a large extent, critics who want less from theater than it is possible for it to give. If everybody’s encouraged to want less, you’ll end up with less.
EDWARD ALBEE -
There are only two things to write about: life and death.
EDWARD ALBEE -
A play is fiction and fiction is fact distilled into truth.
EDWARD ALBEE -
There are always going to be more actors than anybody can ever use.
EDWARD ALBEE -
The characters’ lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you’ve killed them off.
EDWARD ALBEE -
Remember one thing about democracy. We can have anything we want and at the same time, we always end up with exactly what we deserve.
EDWARD ALBEE -
Influence is a matter of selection – both acceptance and rejection.
EDWARD ALBEE