By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
EDVARD MUNCHOne can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
More Edvard Munch Quotes
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
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This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution.
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Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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And I would often wake up at night and stare widely into the room: Am I in Hell?
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Without anxiety and illness I would have been like a ship without a rudder.
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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From my rotting body, flowers shall grow and I am in them and that is eternity.
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I do not believe in the art which is not the compulsive result of man’s urge to open his heart.
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For as long as I can remember I have suffered from a deep feeling of anxiety which I have tried to express in my art.
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Anybody who perceives colors can become a painter. It’s simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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My breakthrough came very late in life, really only starting when I was 50. I had the strength for new deeds and ideas.
EDVARD MUNCH