And I would often wake up at night and stare widely into the room: Am I in Hell?
EDVARD MUNCHBy painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
More Edvard Munch Quotes
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A person himself believes that all the other portraits are good likenesses except the one of himself.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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If what you want to paint is the emotive mood in all its strength then you must not sit and stare at everything and depict it exactly as one sees it.
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The way one sees is also dependent upon one’s emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.
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Anybody who perceives colors can become a painter. It’s simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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I was walking along the road with two friends. The sun set. I felt a tinge of melancholy. Suddenly the sky became a bloody red. I stood there, trembling with fright. And I felt a loud, unending scream piercing nature.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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For as long as I can remember I have suffered from a deep feeling of anxiety which I have tried to express in my art.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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I sense a scream passing through nature. I painted the clouds as actual blood. The colour shrieked.
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Colors live a remarkable life of their own after they have been applied to the canvas.
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Art comes from joy and pain, But mostly from pain.
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A work of art comes only from inside a human being.
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Photography is an art which touches and grips one’s own heart’s blood.
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Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls.
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
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I do not paint what I see, but what I saw.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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My breakthrough came very late in life, really only starting when I was 50. I had the strength for new deeds and ideas.
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
EDVARD MUNCH