The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
EDVARD MUNCHIn my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head.
More Edvard Munch Quotes
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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I sense a scream passing through nature. I painted the clouds as actual blood. The colour shrieked.
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What is art? Art grows from joy and sorrow, but mostly from sorrow. It grows from human lives.
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If what you want to paint is the emotive mood in all its strength then you must not sit and stare at everything and depict it exactly as one sees it.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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From my rotting body, flowers shall grow and I am in them and that is eternity.
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I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.
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And I would often wake up at night and stare widely into the room: Am I in Hell?
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
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When I paint a person, his enemies always find the portrait a good likeness.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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But can they great works get rid of the worm that lies gnawing at the roots of my heart? No, never.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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Colors live a remarkable life of their own after they have been applied to the canvas.
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Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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The way one sees is also dependent upon one’s emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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A work of art can only come from the interior of man. Art is the form of the image formed upon the nerves, heart, brain and eye of man.
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Without fear and illness, I could never have accomplished all I have.
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Art comes from joy and pain, But mostly from pain.
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There is a battle that goes on between men and women. Many people call it love.
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Oil-painting is a developed technique. Why go backwards?
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I do not paint what I see, but what I saw.
EDVARD MUNCH