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Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.

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Appear Fight Photography State Sunday Today

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

You go into a room and you know where you’re welcome; you know where you’re unwelcome.
DOROTHEA LANGE

Heart People Tree Unwelcome Welcome
Sometimes in a hostile situation you stick around because hostility itself is important.
DOROTHEA LANGE

Around Hostile Important Itself Situation Sometimes
Surefire things are deadening to the human spirit.
DOROTHEA LANGE

Deadening Human Spirit Surefire Thing
I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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Animal Courage Encounter Quality Real
Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
DOROTHEA LANGE

Eye Life More Phenomenon Photography Psychological
I believe in living with the camera, and not using the camera.
DOROTHEA LANGE

Believe Camera Live Use
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
DOROTHEA LANGE

Advantage Being Different Disabled People Perspective
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
DOROTHEA LANGE

Being Frame Life Lost Make Mind Photography Picture Subject Wonderful Yourself
It is not enough to photograph the obviously picturesque.
DOROTHEA LANGE

Enough Life Obvious Photography Picturesque
go in over your head, not just up to your neck.
DOROTHEA LANGE

Go Head Neck Need Over Passion
The camera is an instrument that teaches people how to see without a camera.
DOROTHEA LANGE

Camera Creativity Inspirational Instrument People Photography Teaching
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
DOROTHEA LANGE

Affiuelence Face People Photograph Poor Poverty Race
No country has ever closely scrutinized itself visually … I know what we could make of it if people only thought we could dare look at ourselves.
DOROTHEA LANGE

Close Country Itself Look People Scruntnize Visually
I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
DOROTHEA LANGE

Camera Important Poor Pride Spirit Strength Thing
… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
DOROTHEA LANGE

All Came Concentrate Kind Only People Picture Take
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
DOROTHEA LANGE

Before Exhausted Photographer Possibility Soon Subject

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