The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
DOROTHEA LANGEYou go into a room and you know where you’re welcome; you know where you’re unwelcome.
More Dorothea Lange Quotes
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The visual life is an enormous undertaking, practically unattainable.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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The good photograph is not the object, the consequences of the photograph are the objects.
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The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
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Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.
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I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
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One should really use the camera as though tomorrow you’d be stricken blind.
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
DOROTHEA LANGE